It’s an ambitious undertaking for an 87-minute film, and while this lofty aim can result in a few passages striking a bit broad, one comes away admiring D’Ambrose’s meticulously committed approach to storytelling. Following his hour-long debut feature Notes on an Appearance, Ricky D’Ambrose’s Bressonian style continues with The Cathedral, a less intellectually rigorous outing that still impresses with its sense of personal significance, recreating slivers of a life experience over some two decades to form a vivid recollection of both the fracturing of a family and the United States at large. What makes the fabric of our upbringing? The memories we’ll reflect on after those years have passed are often not what we may hold onto in a moment filtered and refracted through a thousand more experiences. A good amount will premiere over the next few weeks at Telluride, Venice, TIFF, and NYFF, so check back for our reviews. As we do each year, after highlighting the best films offered thus far, we’ve set out to provide an overview of the titles that should be on your radar––and while some dates will certainly shift and some films added, it’s quite a promising lineup.įeaturing 40 films, the below preview includes both the best we’ve already seen (with full reviews where available) and the anticipated with (mostly) confirmed release dates over the next four months.
HALF LIFE BLUE SHIFT FOCAL POINT MOVIE
After a fairly quiet summer–– outside of a few gems––the fall movie season is near and there’s much to anticipate.
0 kommentar(er)
